Additional information
Publisher | Ammonite Press (1 November 2015) |
---|---|
Language | English |
Paperback | 176 pages |
ISBN-10 | 1781450854 |
ISBN-13 | 978-1781450857 |
Dimensions | 24.77 x 1.27 x 24.77 cm |
$44.15
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Publisher | Ammonite Press (1 November 2015) |
---|---|
Language | English |
Paperback | 176 pages |
ISBN-10 | 1781450854 |
ISBN-13 | 978-1781450857 |
Dimensions | 24.77 x 1.27 x 24.77 cm |
Shaun Bradbury –
Excellent reference book.
I love this series of books to improve your knowledge and return to for reference
Robert Dennis –
Good read
Purchased as a presentCan’t really review.
Dicky Seah –
Moving to another level to appreciate photography.
The authors have earnestly put in a lot of efforts in this book on mastering portraits to upgrade photographers technical skills., Sharing their techniques in lightings, speed, exposure, and ISO have brought me a whole new world of photography for a novice like me. These variables create beautiful colours in photo, and portraits composition especially with my new Leica Q2.
Mr. Paul Alderson –
Excellent, highly recommended
This book is very detailed, and very professionally produced, with lots of handy hints & tips.Would definitely recommend, well done!
Haydn M. –
It has removed my fear
I followed this recommendation in a magazine, having recently taken part in a studio practice session at my club and realising that I really did have a growing interest in studio work. Having held a fear of flash for many years arising from the poor quality of my resulting shots, I have given anything to do with artifical lighting a very wide-berth – I have not used the in camera on my D800 since I purchased it in 2012. However the article suggested this book removed the mystery and fear and I agree wholeheartedly. It is a must for anyone with my level of experince (and fear!). Written simply and using few but well chosen words in explanation it combines the expectation and excitement of studio photography with what I know of slightly advanced photography. It builds an explanation stage upon stage, and following each stage I have reverted back to basics even going through my manual again and this has surprisingly filled in many gaps in my knowledge. It has encouraged me to check again what my camera is capable of and finding new limits by activating some of the functions I left on auto even though I shoot almost extensively with aperture priority, spot exposure and adjusting EV continuously. It has removed my fear and explained things so simply that I have now ordered my first studio kit and cannot wait to try – following again each stage in this great book. What I want now is the stage approach in a stage 2 book.